
Untitled 05
Patrick Gonzales - 2024
- Digital Manipulation, Digital Painting & Photography - UltraChrome K3 ink with carbon pigment on Museum Etching Hahnemuhle 350g paper
- Limited Edition of 30
- 23.62 x 23.62 in
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Untitled 05
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About The Artwork
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Patrick Gonzales’ Untitled 05 evokes a quiet sense of watchfulness and reflection. A young figure emerges from the shadows, her gaze steady yet contemplative, as an owl appears at her side, poised within a frame of foliage and open sky. The pairing of child and owl suggests a dialogue between innocence and wisdom, between the inner world of the self and the mysteries of the natural realm.
The tonal richness of the monochrome palette lends the piece both delicacy and depth, emphasizing light against darkness in a way that heightens the atmosphere of stillness. Combining digital painting, manipulation, and photography, Gonzales creates a timeless vision that feels both contemporary and classical. Printed with archival UltraChrome K3 carbon pigment on museum-grade Hahnemühle paper, the work carries both technical excellence and emotional resonance, making it an extraordinary addition for discerning collectors.
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About the artist

Dijon is the habitat to the 50-year-old artist who presents us with a unique blend of personal dream fragments, childhood memories, and fantasy that has been exhibited internationally. The result is undoubtedly a series of great conversation pieces – even if the intention was never that of being talked about, but simply that of expressing a personal vision.
The artist began quite early in life as a painter. At the age of fifteen he honed the art of concentrated research. Simply, he replicated works of great masters for the sheer hell of it. You see, it never hurts your artistic development to uncover what exactly others have done – on the contrary you learn a lot that pays off later; and Gonzales must have known that instinctively. In parallel he developed his own art. Since then, Patrick Gonzalès has constantly evolved and not least in photography.
In 1998 he began to work more digitally, and today he is most comfortable referring to his art as a mixture of photography and digital painting. Whether it is the lush spectrum of dark greys in his black and white works or the balanced compositions in full colour, the syncretic mix of media and references that point forwards and back in time is highly memorable.