




EXCLUSIVE PRINT: Stokes Croft
James Green - 2023
- Print on paper
- Limited Edition of 75
- 24 x 30in
FREE Shipping on orders over $500

EXCLUSIVE PRINT: Stokes Croft
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About The Artwork
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Limited edition print on acid-free fiber rag paper with hand-cut edges. Signed on the front.
"The original of this piece was painted on the streets of Stokes Croft (Bristol) in an attempt to minimize the amount of time I had to capture a portrait. I painted ‘passers-by’ for a matter of seconds and was very happy with the outcome of this piece. I don’t want for any of my portraits to look like any one person in particular, and feel that this work embodies that… it could be anyone.. perhaps someone you know, or not."
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Shipping & Returns
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Processing & Delivery
Please allow 7-10 business days for your order to be processed and prepared for shipping. Note that delivery times vary depending on where your artwork is shipped from. You can see an approximate delivery range after you input shipping information at checkout. We’ll provide you with tracking info and an estimated delivery date after your order ships.
Returns
We want you to be 100% satisfied with your new artwork. That’s why we give you 14 days from the date you receive your artwork to let us know if it’s not the right fit for you. Contact us during that timeframe, and we’ll get started on your hassle-free return. Review our full Return Policy here.
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About the artist

Green paints directly onto raw, unstretched canvas, working instinctively, without preamble or pause for thought. His earliest work was observational and figurative, with a kind of meticulous precision, but, having demonstrated this precocious skill, he felt free to cast-off formal technique and to work in a more expressive way, characterised by loose, vivid unpredictability. The first impression is of gestural vitality and rich painterly effect – bright colours merge into murky smudges; sharp definition blurs into misty formlessness. There are sweeping lines; scribbly detail; indistinct colour washes; paint drips, flows or clumps into crusty accretions. Suggestions of formal structure are quickly subverted. Amidst this abstract maelstrom there are hints of crude calligraphy, figuration and human faces – ambiguous, half-formed, partially erased.
“The last decade has been about dissecting the human form in a process that is energetic, spontaneous and organic. I now find it more powerful to capture the essence of a person rather than to render an exact image. The paintings I make today are one-offs that I couldn’t replicate. They are unique to specific moments, authentic to me. I don’t look for or seek inspiration; I live my colourful life and allow that to guide the path for my practice.”